“One’s first encounter with any of these
epics can be somewhat jarring; they are far and away the most wildly
farraginous and gloriously irresponsible masterpieces in Western literature.
They are at once heroic, comic, allegorical, lyrical, satirical, fabulous, and
(occasionally) dark; they move with alarming ease between the metaphysical and
the ribald, the allegorical and the brutal, the spiritual and the grotesque. The Innamorato might almost seem formless but for the
ingenuity with which Boiardo continually weaves the innumerable strands of his
story together into ever more diverting designs. At any moment in the story, a
paladin might find himself confronted by a giant Saracen astride a galloping
giraffe, or trapped in an enchanted castle oblivious of his own name, or beset
by an army of demons, or challenged by an ogre, or lost in a fairy otherworld
full of the most exquisite enchantments, or at the mercy of a sorcerer. And
Boiardo—even more than Ariosto—is so irrepressibly inventive a fabulist that
one often has the feeling that, but for the author’s mortality, the story need
never come to an end.” — David B. Hart
Quotes
“Education is an atmosphere, a discipline, and a life.” – Charlotte Mason
"To educate man is the art of arts, for he is the most complex and mysterious of all creatures." - Gregory the Theologian
Sunday, July 21, 2013
Orlando Innamorato - A Forgotten Classic
“Neglect of Italian romances robs us of a
whole species of pleasure and narrows our very conception of literature. It is
as if a man left out Homer, or Elizabethan drama, or the novel. For like these,
the romantic epic of Italy is one of the great trophies of the European genius:
a genuine kind, not to be replaced by any other, and illustrated by an
extremely copious and brilliant production. It is one of the successes, the
undisputed achievements.”— C. S. Lewis
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