What we learn from art, literature, history, and music

Knowledge includes three distinct kinds: knowledge that, knowledge how, and knowledge what. I know that uranium is radioactive; I know how to ride a bicycle; and I sometimes know what to do, what to say or what to feel. The first kind of knowledge is information (of which science is the systematic part); the second is skill; the third virtue. In reverse order these correspond to the three inputs into a rational life: the ends, the means and the facts. Knowing what to do, Aristotle suggested, is a matter of right judgement (orthos logos); but it also involves feeling rightly. The virtuous person ‘knows how to feel’, and this means feeling what the situation requires: the right emotion, towards the right object, on the right occasion and in the right degree. Moral education has just such knowledge as its goal: it is an education of the emotions. The virtue of the Greek hero is of a piece with his emotional certainty, and this certainty is the gift of culture, and of the higher vision which culture makes available. By setting the individual within the context of the group, by providing him with ritual expressions and the path to collective release, by uniting him in thought with the unborn and the dead, and by imbuing his thoughts with ideas of sanctity and sacrilege, the culture enables the hero to give safe and sincere expression to the feelings that social life requires. The common culture tells him how and what to feel, and in doing so raises his life to the ethical plane, where the thought of judgement inhabits whatever he does.” —from Roger Scruton’s Modern Culture (p. 15)

Greek Warrior Ethic in a Nutshell

From Alexander Pope's awesome translation of the Iliad:

Ye Greeks, be men! the charge of battle bear;
Your brave associates, and your selves revere!
Let glorious acts your glorious acts inspire,
And catch from breast to breast the noble fire!
On valour's side the odds of combate lie,
The brave live glorious, or lamented die;
The wretch who trembles in the field of fame,
Meets death, and worse than death, eternal shame.

One does not argue about The Wind in the Willows...

"One can argue over the merits of most books... one does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and if she does not like it, he asks her to return his letters. The old man tries it on his nephew, and alters his will accordingly. ... When you sit down to [read] it, don't be so ridiculous as to suppose you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself. You may be worthy; I don't know. But it is you who are on trial." A.A. Milne